Literature

Literature|Expository Research Essay|Get custom homework help from vetted experts in 100+ courses and programs. 24/7

Write two paragraphs of annotations for EACH SOURCE. The information included in each paragraph should be as follows: Paragraph 1 (THEY SAY): completely and respectfully summarize the source. What argument is being made? What evidence is given in support of the argument? Be detailed and specific. What strategies does the author use to make her/his argument? Paragraph 2 (I SAY): Is the author credible?  How or why?  (Think about why the source deserves to have a voice in your paper or how it compliments your research.)  Do you agree or disagree with the argument? Why? (Think about what is convincing about it, what flaws exist in it, how it influences you, etc.) Bibliography must be in alphabetical order by the first item in the reference citation (usually the author’s last name) Bibliographies must have hanging indent on the second and each additional line of each source: Select the text where you want to add a hanging indent. Go to Home > Paragraph dialog launcher. > Indents and Spacing. Under Special, select Hanging. You can adjust the depth of the indent using the By field. Select OK. Bibliographies must be double-spaced.

Just like poets, short story writers also carefully consider every word and every image in their stories. While short stories are usually not as condensed as a poem, you can still analyze a story using some of the same tools and terminology. Rather than give your reaction to the entire story, for this reflection paper I want you to pick out ONE paragraph in the story and discuss its significance. Why do you think the paragraph you chose is significant? Does it set up expectations for the reader? Does it mark a turning point? Does it represent a culmination of what occurred before? As with a poem, consider the specific word choices that Chopin makes. Do any words connect to other parts of the story?  You may also discuss your reaction to the story, either in your introduction or your conclusion, but the body of your paper should focus on analyzing Chopin’s language. Your paper should be  1 1/2 – 2 pages long, double spaced, with the usual MLA heading and formatting. Make sure you cite your quotations from the story, and include a Work Cited page at the end of your essay.

argue in support. In response to Kipling’s poem, each of you should post a statement in support, or in opposition to the idea of Imperialism. You do not need to restrict yourself to the moral justification. The arguments for, and against, expansion took many avenues.  Try not to make assumptions. Instead, assume the historical role of someone who lived in the United States near the turn of the century. You could be a manufacturer, a pastor, or a politician. Conversely, you can be a laborer, a pacifist, or a housewife. Be creative. When we examine the past, we must place ourselves in the right frame of mind. It is impossible to adequately understand an historical event using a 21st century mind-set. As an example, when the Pilgrims landed at Plymouth, they discovered a vacated village. The land “hath been planted with corn three or four years ago, and there is a very sweet brook runs under the hillside.”[1]Bolstered by their religious conviction, these early settlers firmly believed that God had set them here, and cleared the land for their taking. We know today, that Native-Americans did not have the necessary immunities to fight-off European diseases, and died in great numbers. In Europe, these same diseases had existed for centuries, and had become endemic. Fishermen, and traders, had long plied the waters of the New England coast, and passed these diseases to the local inhabitants. Now take a moment, and place yourself in the mind of the local people. If you were a Native-American, you saw your people dying in great numbers, yet Europeans remained healthy. There are a number of scenarios that could have developed here, but in most cases, what do you think Native-Americans must have thought of this situation? If you placed yourself in their situation, does it not stand to reason that you would begin to think that your “spirits” had failed you, and perhaps the God of the settlers protected them? Based on our assumptions, we would think that as a result, Native-Americans, then, converted in large numbers. What is necessary is a clear understanding of early-contact Native-American culture. For indigenous Americans, it centered on spiritual power. Power could be increased through addition, not subtraction. Instead of giving-up their ancient spiritual practices, they instead, simply added the Christian God. What we gain, by examining the past through a lens focused on that point in history, is a deeper understanding of the dynamics at play, and empathy for all participants. Today, some things are just unacceptable. We cringe at the thought of slavery, child labor, no rights for women, and segregation, to name a few, but they all existed at one point in time. More remarkably, a strong justification existed for each of these that prevailed to the point where they proved to be generally accepted.  In 1898, the United States went to war with Spain.  Generally speaking, Americans cringed at the thought of Imperialism because of their earlier relationship with Britain that resulted in the American Revolution. By the end of the 19th century, industrial overproduction increasingly required new sources of raw materials, and more importantly, external markets to sell American goods.  While this need softened America’s disdain for Imperialism, the nation still sought the moral high-ground by passing the Teller Amendment that restricted the US from annexing Cuba.  Following the Spanish-American War, the Treaty of Paris granted Cuban independence, but ceded Puerto Rico and Guam, and sold the Philippines to the US for $20 million.  Congress also annexed Hawaii. Numerous reasons for Imperialism soon surfaced, but none validated the subjugation of foreign peoples more than the moral justification as expressed in Rudyard Kipling’s “A White Man’s Burden.” Take up the White Man’s burden– Send forth the best ye breed– Go bind your sons to exile To serve your captives’ need; To wait in heavy harness, On fluttered folk and wild– Your new-caught, sullen peoples, Half-devil and half-child. Take up the White Man’s burden– In patience to abide, To veil the threat of terror And check the show of pride; By open speech and simple, An hundred times made plain To seek another’s profit, And work another’s gain. Take up the White Man’s burden– The savage wars of peace– Fill full the mouth of Famine And bid the sickness cease; And when your goal is nearest The end for others sought, Watch sloth and heathen Folly Bring all your hopes to nought. Take up the White Man’s burden– No tawdry rule of kings, But toil of serf and sweeper– The tale of common things. The ports ye shall not enter, The roads ye shall not tread, Go mark them with your living, And mark them with your dead. Take up the White Man’s burden– And reap his old reward: The blame of those ye better, The hate of those ye guard– The cry of hosts ye humour (Ah, slowly!) toward the light:–” Take up the White Man’s burden– Ye dare not stoop to less– Nor call too loud on Freedom To cloak your weariness; By all ye cry or whisper, By all ye leave or do, The silent, sullen peoples Shall weigh your gods and you. Take up the White Man’s burden– Have done with childish days– The lightly proffered laurel, The easy, ungrudged praise. Comes now, to search your manhood Through all the thankless years Cold, edged with dear-bought wisdom, The judgment of your peers![2] [1] William Bradford in Mourt’s Relation: A journal of the Pilgrims at Plymouth, London, 1622. [2] http://www.kiplingsociety.co.uk/poems_burden.htm

Principles of Storytelling Final Paper   Applied Learning Assignment Choose one of the topics below and write a 5-7 page paper, double-spaced, 12-point type, with pages numbered at the bottom of every page, a title for the paper, and your name both on the first page and in the file name.  Be sure to document any sources you use in the correct APA citation formats.  You will be submitting this assignment through Turnitin.com by the end of week fourteen (the next to last week of class).  (100 points)     1)            Choose a well-known company or brand or product, and using what you have learned about narrative structures and techniques this term, design an effective story for a television commercial.  After you have pitched the commercial in detail, explain how you would expect to affect viewers (both emotionally and in terms of behavioral response).  Then, analyze the techniques you used to achieve those effects.  Draw conclusions about the consequences and implications of your findings.   2)            Examine a local campaign for a political candidate or a ballot initiative or proposition, and describe the narrative structures and techniques being used in the promotional materials.  Analyze how the different pieces of information are held together through narrative considerations such as associations of metaphor and metonymy, frame, viewpoint and point of view, plot structure, motivation, character development, setting, timing, etc.   Explain how voters’ responses are being conditioned by these various devices.  Draw conclusions about the consequences and implications of your findings.   3)            Choose a news story that is currently being discussed on different networks or in different media (print, television, radio, and digital), and look at the different ways that different journalists shape their stories.  Consider how the way that stories get told affect their interpretation.  Draw conclusions about the consequences and implications of your findings.     The following considerations will be used in determining the grade for the paper:     Application of course concepts to real-world situations (25%) Analysis and interpretation  (25%) Organization of argument (25%) Grammar, style, and format  (25%)

Written exercise:  Choose ONE of the following topics and write a well-organized paragraph. How do Anne Bradsteet’s words 1) confirm timeless concerns or thoughts we still have today, 2) reveal her doubts about God, or 3) affirm her faith in God? (Choose only one). Cite specific examples from at least two texts to support your claim. Your paragraph should exceed eight sentences. Your paragraph should begin with a topic sentence that states the main idea of the paragraph. Follow the topic sentence with details from the texts that support the main idea. Recall the tutorial videos. Explain how textual examples support the main idea. Write a closing sentence.

Literature|Psychological Disorder Narrative|Get custom homework help from vetted experts in 100+ courses and programs. 24/7

*Attempt only two questions. *Question # 1, Section A, is compulsory. *Choose one more question from Section B. *Keep your answers clear, concise and analytical. *Address your responses to the specific demands of each question. *Illustrate your answers with apt references, and cite key sources used. *Limit your responses to 4 pages per question. total of no more than 8 page *Your answer scripts must include questions chosen, and be in MLA format. QUESTIONS: SECTION A (compulsory) 1) Explore the complexities of the term, ‘Black Literature’, and discuss how they, critically, engage certain social experiences, literary traditions, canons, racial and cultural politics. SECTION B (choose one) 2) With attention to each story’s social milieu, examine the nuanced relationships between racism and gender politics in Going to Meet the Man and Sometimes, a Motherless Child. 3) Analyze, with focus on subtleties, the critical significance of gender, childhood, community, coming-of-age and unnamed protagonists in The Hammer Man, and No Beating Like Dis One. 4) Discuss how the narrative threads of Red Hot Peppers, with regard to forms of inequalities, violations, and resistance, pose questions about identities, gender, social and power relations. READINGS: Adichie, Chimamanda Ngozi. The Shivering Baldwin, James. Going to Meet the Man Bambara, Toni Cade. The Hammer Man Chamoiseau, Patrick. Red Hot Peppers Clarke, Austin. Sometimes, a Motherless Child D’Aguiar, Fred. A Bad Day for a Good Man in a Hard Job  Danticat, Edwidge. Nineteen Thirty-Seven Evaristo, Bernadine. Yoruba Man Walking  Osondu, E. C. An Incident at Pat’s Bar  Silvera, Makeda. No Beating Like Dis One. HINTS: 1. you may use outside sources, where such would enhance your responses, and, crucially, there are NO specifications about how many sources MUST be cited. In brief, assigned reading materials (The Reader) and, if pertinent, any other scholarly sources that support your arguments would do. 2. Qualify your responses, where necessary, to demonstrate polished understandings of the issues. Good scholarship refrains from sweeping generalizations, bad grammar, haphazard organization, and trite political posturing. While most would agree that racism is bad, you will NOT gain points by merely ‘dissing’ it but by deftly showing how the authors have creatively engaged its problematic features in their respective works. 3. Your papers will be graded for depth and logical flow; particularly, as they integrate assigned readings and other credible sources. So, overall, qualify your responses, where necessary, to demonstrate finespun understandings of the issues. Answered shoudl all aspects of the questions. * Cogent application of lectures and readings. * Cited other relevant materials appropriately. * Identified characters, authors and situations aptly. * Clear, engaging, scholarly and logical analyses. * Avoided pointless summaries of texts. * Hardly any spelling or grammatical errors. * No colloquialisms (slangs and informal language). * Kept responses within specified page limits. * No attempts to ‘stretch’ paper, unduly (through creative pagination, font sizes, etc)

discuss 1-3 techniques used by Art Spiegelman to create empathy and emotional engagement in Maus 1 / Maus 2. A good way to start is by asking yourself “what in Maus moved/horrified me ?” OR Argue wether or not Spiegelman’s représentation of the Holocaust is appropriate by relying on close readings of Maus to support your position. include at least two quotes of examples from the text per body paragraph.

1.     Consider the poems, short stories, and autobiographical pieces you read from the first half of the twentieth century during this semester. How did historical events and realities affect writers who were working during this time? What common threads did you observe in the works of these writers? Cite specific examples from various texts in your response. Answer: Type your answer here. (Score for Question 2: ___ of 20 points) 2.     Consider the poems of the Harlem Renaissance that you read this semester. Why does the theme of freedom play such an important role in these works? How do different poems address this theme? Cite examples and images from three Harlem Renaissance poems in your response. Answer: Type your answer here. (Score for Question 3: ___ of 20 points) 3.     What internal conflicts do the characters face in The Glass Menagerie? How do these conflicts result in the overall tension that exists in the Wingfield family? Describe how Tom, Laura, and Amanda cope with their conflicts and how their conflicts connect to the play’s theme of reality versus illusion. Answer: Type your answer here. (Score for Question 4: ___ of 15 points) 4.     What do the pieces you read by Richard Rodriguez and Amy Tan illustrate about the immigrant experience in twentieth-century America? How are the children in these works different from their parents? Use specific examples from the text in your response. Answer: