Theatre Report

Below is a condensed version of “How to Write a Theatre Report” .  If you can answer these essential questions using the textbook for support and referencing examples from the production you saw, you should do well on the critique.  it should be 2-3 pages in length, 12 pt. font! Do NOT re-tell the plot….see info below:)What Makes a Good Theater Report?A good theater report depends on content (what’s in the paper), structure (how the paper is organized), and usage (conventions of writing and presentation). A sample report—with comments and corrections by an instructor—is shown at the end of this handbook.ContentA good theater report is a combination of subjective responses—how you “felt” about the event—and objective analysis and support for your feelings. Just saying that you liked or disliked a production is not enough. The key question is always “Why?” For example, you may have hated a performer in a production, but noting that you hated him or her is not enough for a report. Why did you feel this way? Was the actor totally unlike the character? Did the actor fail to enunciate the lines clearly? Did the actor convey emotions that seemed inappropriate to the dramatic action? Did he or she move inappropriately or clumsily onstage? Did he or she seem not to understand or express the character’s motivation? These are the kinds of questions you will need to answer in order to substantiate your opinion about the performance, and you will have to support each answer by describing some specific aspect of the performance.StructureLike a good play, a good theater report has a clear beginning, middle, and end.At the beginning, you should state your point of view; you may also indicate how you felt about the production in general or about the specific elements you will discuss. Sometimes a good paper can begin with a striking image or an idea which you believe to be at the heart of the theatergoing experience. The most important characteristic of the beginning of a successful paper is that it gives a strong sense of what you consider significant about your experience.The middle of your paper should contain all the evidence and analysis that substantiates the viewpoint expressed in the beginning. This would include specific examples and details from the production. The more specific and analytical this section is, the more successful the paper will be. Through your description and analysis, the reader should be able to visualize important and representative moments in the production.At the end of your paper, you should recapitulate your point of view and find some way to leave the reader with a clear sense of the conclusions you have drawn. As with the beginning of a paper, it can be effective to close the paper with a vivid image or idea. Remember that your conclusion will be the last impression left with your reader.Key Questions for a Theater ReportThese questions are intended as a guide for writing a theater report. You can use them to help you focus your thoughts about the various elements of a production. Note that you should keep the specific assignment in mind, since some instructors will ask you to write about particular elements whereas others may ask you to evaluate the entire production. In either case, however, these questions should prove helpful.Acting1.Were the actors believable, given the requirements of the play? If they were believable, how did they seem to accomplish this? If they weren’t believable, what occurred to impair or destroy believability? (As you discuss this, be sure to separate the performer from the role. For example, you can dislike a character but admire the performance.)2.Identify the performers you considered most successful. Citing specifics from the production, note what they did well: particular gestures, lines, or moments. Try to describe each performer so as to give the reader a clear image.  For example, how did the performer’s voice sound? How did he or she interpret the role? How did they use their body in performance? Were you able to hear and understand the actors? Did they use clear articulation and strong projection?3.If there were performers you did not like, identify them and explain why you did not like them. Give concrete examples to explain why their performances were less successful.4.Acting is more than a collection of individual performances. The entire company needs to work as a unit (this is sometimes called ensemble): each actor must not only perform his or her own role but also support the other performers. Discuss how the performers related or failed to relate to one another. Did they listen to each other and respond? Did any actor seem to be “showing off” and ignoring the othersDirecting1.The director unifies a production and frequently provides an interpretation of the text. Did there seem to be a unifying idea behind the production? If so, how would you express it? How were you able to see it embodied in the production? Was it embodied in striking images or in the way the actors developed their performances? (You should be aware that this can be one of the most difficult aspects of a production to evaluate, even for very experienced theatergoers.)2.Did all the elements of the production seem to be unified and to fit together seamlessly? How was this reflected, in particular, in the visual elements—the scenery, costumes, and lighting?3.How did the director move the actors around onstage? Were there any moments when you felt that such movement was particularly effective or ineffective?  Were entrances and exits smooth? Was the action focused clearly and easy to follow?4.Did the pace or rhythm of the production seem right? Did it drag or move swiftly? Did one scene follow another quickly, or were there long pauses or interruptions?5.Were the actors cast appropriately to their respective parts? Did characters fit together in believable family groups, relationships, etc.Space1.What type of theater was it? How large or small was it? How opulent or elaborate? How simple or modern? What type of stage did it have: proscenium, thrust, arena, or some other type? How did the stage space relate to audience seating?2.What was the size and shape of the playing space?3.What sort of atmosphere did the space suggest? How was that atmosphere created?4.Did the space seem to meet the needs of the play? Did it affect the production, and if so, how?Scenery1.What information was conveyed by the scenery about time, place, characters, and situation? How was this information conveyed to you?2.What was the overall atmosphere of the setting?3.Did any colors dominate? How did colors affect your impression of the theater event?4.Was the setting a specific place, or was it no recognizable or real locale? Did that choice seem appropriate for the play?5.If the setting was realistic, how effectively did it reproduce what the place would actually look like?6.Were there symbolic elements in the scenery? If so, what were they? How did they relate to the play?Costumes/Hair and Makeup1.What information was conveyed by the costumes about time, place, characters, and situation? How was this information conveyed to you?2.What was the period of the costumes? What was the style? Were the costumes from a period other than the period in which the play was written or originally set?  If so, how did this affect the production? Why do you think this choice was made?3.How was color used to give you clues to the personalities of the characters?4.Did each character’s costume or costumes seem appropriate for his or her personality, social status, occupation, etc.? Why or why not?5.Did the costumes help you understand conflicts, differing social groups, and interpersonal relationships? If so, how?6.Did the hairstyles reflect the time period and help establish characters? 7.Was the makeup appropriate for the time period? Did it work to convey the character’s facial expressions? Was there any special effects makeup used in the production?

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Cultural Relativism

Does Jesse Prinz make a good case for relativism? (choose YES) Explain his position and reasoning, be sure to give reasons for your opinion  The article Is here: this is the only source that should be cited!!!! https://philosophynow.org/issues/82/Morality_is_a_Culturally_Conditioned_Response

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Information On Two Typefaces

Please discuss whether do you agree or disagree with the claim made by Massimo Vignelli that there really were only one or two typefaces. The rest was just pollution.  (This assignment is a One-page journal writing, so use first-person point of view)

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Art Creation

Required Resources Read/review the following resources for this activity: Textbook: Chapter 1, 2, 3, 4, 5, 6 Lessons: Week 1, 2, 3 Minimum of 1 scholarly source (in addition to the textbook) Instructions This week you will use your readings from the past two weeks as a point of departure to create your own artistic production and a reflection paper. Part 1: Art Creation Select one of the visual art pieces from Chapters 1-6 or the lessons from Weeks 1-3 to use as a point of inspiration. Create a painting, sculpture, drawing, or work of architecture inspired by your selected art piece. Part 2: Reflection Write a reflection about the relationship between your art production and the inspiration piece. Include the following in the reflection paper: Introduction Inspiration Piece Include image. Record the title, artist, year, and place of origin. Briefly explain the background of the inspiration piece. Your Art Piece Include image. Provide a title. Explain the background of your piece. Connection Explain the thematic connection between the two pieces. How are they similar and different? Are they the same medium? How does the medium impact what the viewer experiences? How do the formal elements of design compare to one another? Original Artwork Requirements Methods: paint, watercolor, pencil, crayon, marker, collage, clay, metal, or wood (Check with your instructor about other methods you have in mind.) No computer-generated pieces Writing Requirements (APA format) Length: 1.5-2 pages (not including title page, references page, or image of artwork) 1-inch margins Double spaced 12-point Times New Roman font Title page References page (minimum of 1 scholarly source)

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Painting Techniques

Using paints (watercolors and a piece of paper will be the cheapest), create an Impressionistic sunrise or sunset. The examples below are the sun over the water, but you can choose whatever scene you would like. Focus on the colors and the light shown from the sun reflecting on whatever your scene and the short brushstrokes employed by the Impressionists. Once you have made your painting, take a picture and upload it in your Word or Google doc assignment. You must also write a statement explaining what materials you used. Then answer the following questions. 1. Were the Impressionists concerned more with the subject matter or the formal elements? 2. What are the pros and cons of the following painting techniques: watercolor, oil, acrylic? 3. Have you ever painted before? Did you enjoy this painting project? Why or why not? As to do the art work and answer questions *Upload the doc or pdf file to this assignment and submit. Please do NOT upload the written assignment and picture separately.*

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Fundamentals Of Design

discuss the fundamentals of design and how they are beneficial to visualizing data. Examine and elaborate on the fundamentals as it relates to minimizing distraction and time to insight. Consider tabular reports as well as charts and give screenshot examples where you feel it appropriate

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Access To Art

Art and Class. Almost every art form is a reflection of the class for whom the art is made. We see repeatedly that the most lavish works are made for upper classes, while more modest works are for the lower classes. What about access to art? In many cases, the wealthy are the only ones who can afford to purchase high profile art or develop collections around well-known artists. Most private collections are closed to the public, but some private collections eventually end up in museums.Does the museum redress the class-related issues of ownership and access to art?Who controls what art gets into museums?Are there any forms of art that transcend class?How has COVID-19 altered this?

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Environmental Motivation

Read the 3 articles located at materials-content-required readings-unit 4 entitled “$70,000”, “Amazon NY Times”, and “Don’t Indulge Be Happy”.$70,000 – Dan Price of Gravity for DQ7 Inside Amazon NY Times for DQ7Don’t Indulge. Be Happy. – NYTimes for DQ7What motivation theories do you see at work in these articles?  Would you be motivated at Gravity Payments?  Would you be motivated at Amazon?  Why or Why not?  What environment motivates you?  Explain.

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Social Commentary Art

Social commentary art is any artwork that makes a statement about society either past or present. Choose an artist that creates work that fulfills this purpose.A definition of social commentary can be found here (http://en.wikipedia.org/wiki/Social_commentary)Issue can include: poverty, racism, AIDS, smoothing, drugs, crime, gangs, abuse, child abuse, family, violence, torture, modern slavery, terrorism, environmental issues, technology, relationships, war, political injustice, social criticism, feminist criticismFor a list of artists see below.Your paper should:Be at least 450 words  longDiscuss the background/biography of the artistDescribe the work of artExplain how the work of art is an example of social commentaryAll assignments must be in 12-point font (Arial or Times New Roman), use correct grammar and spelling, and coherent sentences. Please proofread, Please use your own words (no plagiarism); I want to hear what you think, who you are, and what you have to say. Please include the image you are discussing and works cited.Artists may be but are not limited to:Pablo Picasso – GuernicaFrancisco Goya – May 3rd, 1808Van Gogh – The Potato EatersVan Gogh – The Absinthe DrinkerBarbara Kruger – Your Body is a Battle GroundBarbara Kruger – I Shop Therefore I AmBanksyKeith HaringRoger GordyDorothy LangeKelly FinlawMark JenkinsSarah Kiser

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Self-driving Car

Select a well-known item that was created by humans, and argue for an effective strategy to improve it.  Consider the Tesla self-driving car.  I question the safety of a car that operates without a driver, and I have heard about crashes involving these vehicles.  How can the Tesla company improve the safety performance of its vehicles? Write an essay of at least three full pages but no more than five.  The works cited page counts as the fourth or fifth page.  The essay must have these sections: an introduction with an appropriately placed thesis statement at least 3 developmental (body) paragraphs a conclusion  an MLA Works Cited page with an entry for each source from which information was borrowed and included as part of the essay  (Since there are three required sources, the works cited page must have an entry for each one.) Please Use two/three of the following sources: Academic Search Complete Business Source Complete Consumer Reports.org Funk & Wagnalls New World Encyclopedia (EBSCO) New York Times – Current (Gale) New York Times – Historical (Pro Quest) Opposing Viewpoints in Context (Gale) Pop Culture Universe (ABC-CLIO) Popular Magazines (Gale)

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