Third World Cinema

1) Distinguishing between the terms, ‘Third World’ Cinema and Third Cinema, discuss the aims and context of the latter’s emergence, and its significance for the study of global cinema cultures. SECTION B2) Examine, with attention to each film’s context, the interplay between culture, community, taboos and relationships in shaping the narrative trajectories of The Salesman and Masaan.3) Discuss how the exchanges between personal and national histories shape the political and allegorical inflections of The Cemetery of Splendor and The Great Kilapy.4) With reference to the film’s aesthetic strategies and key characters, analyze how the themes of identity, family, anxieties, loss and trauma undergird the narrative dynamics of The Photograph.